Dionisio Cortes
Alfeizar verde Alfeizar Ambar Aldaba Anil Quince Azafran Baldosas 1 Baldosas 2 Baldosas 3 Baldosas 4 Baldosas 5 Chartreuse gestures Red and blue gestures Lexicon, polyptych Yellow-Mamey Green-Mamey Blue-Mamey Chartreuse Azul  gesture Naranja gesture Rosa gesture Lime gesture Untitled (Blazon) Untitled (aqua/stripes) Untitled (ripples/circles), triptych Untitled (flesh/yellow) Untitled (orange/pink) Untitled (aqua/ultramarine) Untitled (faux veneer), diptych Untitled (moire) Untitled (aqua/burnt umber) Untitled (teal/mint) Untitled (lemon/cerulean) Untitled (orange/green) Untitled (olive/orange) Untitled (orange/red) Untitled (salmon/ochre) Untitled (yellow/ochre) Untitled (cream/ochre) Untitled (burnt umber/ochre) Untitled (green/ochre) Untitled (rose/ochre)
painting
Oil / Watercolor Painting

My current oil and watercolor work consists of patterned imagery. I build up my subject matter by laying decorative designs [drawn from materials and patterns found in the decorative arts] over rhythmic and gestural patterns. The work reflects my interest in Islamic art, the decorative arts, and the search for the “ideal beauty” in the age of surplus information.

I develop these pieces by accumulating tens of layers. Substrates for the oil pieces are rigid surfaces, usually wooden panels, coated with dry gesso, which yields a smooth, luminous surface. Veils of paint are layered on top in an obsessive and ritualistic process. The process interweaves materials and methods generating an ethereal and atmospheric translucency.
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